Our Gear
Broadcast & Cinema
Hardware.
Our gear list is built around two principles: cinema-quality look and broadcast-grade reliability. Matched bodies, calibrated colour, real timecode, redundant recording, and wireless video that survives a live floor.
01
Broadcast Cameras
- Multi-camera broadcast package (matched looks, timecode, redundant recording)
- Live vision mixing chain (SDI / fiber, intercom, return monitors)
- Calibrated colour pipeline from camera to live cut and archive master
02
Cinema Cameras
- Sony FX9
- Sony FX6
- Canon C300 Mark III
- Blackmagic URSA Mini Pro
- RED V-Raptor
03
Lenses
- EF mount cinema prime set
- EF mount cinema zoom range (wide, standard, tele)
- Broadcast ENG zooms for multicam
04
Vision Mixing & Recording
- Blackmagic ATEM vision mixers
- Hyperdeck Studio 4K Pro recorders for redundant capture
- Genlock and reference distribution for multicam alignment
05
Wireless Video, Comms & Timecode
- Multi-channel wireless video link (camera-to-village)
- Hollyland Solidcom wireless intercom for the crew
- Tentacle Sync / external timecode generators across all cameras
06
Drones & Underwater
- Licensed commercial drone operators (ROC / RPL)
- Cinema-grade aerial payloads
- Underwater housings for cinema bodies
Need a specific camera, lens or rig that's not listed? We extend our package per project — ask us what you need on the shoot and we'll cost it transparently.
● Next Production
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Camera?
Tell us what you want to shoot and we'll bring the cameras, crew and broadcast workflow to make it happen.