Film & Television
Production.
We plug into scripted and unscripted productions as a specialist camera department — DoPs, operators, focus pullers, DITs and a full inventory of cinema cameras, lenses and support. From feature units to Netflix-scale series, we bring cinematic precision to every shooting day.
● What You Get
Deliverables, Done
Properly.
- Full camera-department crewing (DoP, operators, 1st/2nd AC, DIT)
- RED, ARRI and Sony cinema camera packages with prime and zoom sets
- Second-unit direction and specialist rig operation
- Steadicam, gimbal, remote-head, techno and aerial support
- On-set data management, dailies and LUT workflow
- Location scouting, permits and pan-African logistics
● Capabilities
How We Cover
The Room.
Cinema Camera Packages
RED V-Raptor and Komodo bodies paired with prime and zoom lens sets — matched, prepped and delivered by our own techs.
Second Unit & Specialty
Action, aerial and insert units that slot seamlessly into your main-unit workflow with matched cameras and LUTs.
On-Set DIT & Data
Redundant offloads, live grading, dailies delivery and colour-managed pipelines from set to post.
Locations & Logistics
Recces, permits, cross-border carnets and crew transport handled end-to-end across South Africa and the continent.
● Featured Work
Recent Productions.
Automotive
Volkswagen — Life in the GTI Lane
Brand Film
Libre — Libre
Brand Film
JCDecaux — The Silo Hotel — V&A Waterfront
Brand Film
Vodapay — Ponte Rebranding
Fashion
Rookie USA — Short MOV
● Trusted By
Artists & Brands We've Worked With.
"A grown-up camera department — fast, quiet on set and technically ahead of the room. They made a tough schedule feel easy."
"Consistent dailies, disciplined data handling and operators who understand story. Exactly the crew you want on a long run."
● Process
From Brief To
Broadcast.
Pre-Production
Script breakdown, camera and lens tests, recces, workflow sign-off with production and post.
Shoot Days
Camera department on set with DIT, dailies, and second-unit support running in parallel where needed.
Delivery
Dailies, colour-managed masters and archive backups delivered to editorial and post on agreed turnarounds.
● FAQ
Questions, Answered.
- Both. We regularly supply complete camera departments for South African shoots and integrate as a specialist unit into international productions filming locally.
- Primarily RED (V-Raptor and Komodo) with matched prime and zoom sets. We hire in ARRI or Sony packages on request and maintain relationships with all major SA rental houses.
- Yes — recces, filming permits, unit moves, transport and cross-border carnets are handled by our production team, not left to the client.
- Yes. On-set DIT with redundant offloads, colour-managed dailies, editorial-ready proxies and archive masters delivered on your schedule.
Can you crew a full shoot or slot into an existing production?+
Which camera systems do you own?+
Do you handle permits and location logistics?+
Can you deliver dailies and post-ready media?+
● Let's Talk
Capture Your
Next Show.
Send us a quick brief about your film & television production project and we'll come back with a crew, a kit list and a plan to shoot it properly.
Phone
082 441 0497